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THOMAS GOLD

 - bio THOMAS GOLD
THOMAS GOLD
   
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Thomas a été rapidement happé par mammouth
Dossiers d'enregistrement empreinte Toolroom, qui l'invite à rejoindre leur
équipe de talent; à la fois comme artiste et DJ résident pour «Chevaliers Toolroom« événements aux côtés de Fedde le Grand et Mark Knight.
Ce bon départ n'est pas passé inaperçu sur le dancefloor. Il obtient les soutien  des clubs et se retrouve en tête d'affiche dans des lieux prestigieux comme le Pacha,Privilège et sonore Ministryof.

Son année a continué à prévaloir avec succès similaire à celui des productions récentes
comme "Work That / Kananga» son EP Smash sur Toolroom conduit les charts de téléchargement
en tête et cela pendant des semaines . 


Ces derniers moins Thomas mene une existence sans dormir
grâce à un calendrier de production chargé et des dates de tournée qui l'emmene faire le tour du monde ; Brésil, Mexique, Argentine, Japon, Inde, Dubaï, Russie, Canada, Amérique du et une foule de destinations à travers l'Europe.

À la réflexion tout ce succès récents a un  point d'origine à déjà 7 ans ilétait un curieux et apprend à jouer de l'orgue électronique puis il porte de l'intérêt dans les synthétiseurs numériques et de là sa passion grimpe en flèche.



“Breakthrough DJ / Producer 2010 : Thomas Gold" Axwell in DJ Mag 2010

“Rising Star 2010” Beatport 2010

 
The changing pace at which Thomas Gold’s year has taken shape
has been literally breathtaking forthe Berlin based artist.
Not surprising then that Thomas was quickly snapped up by mammoth
recording imprint Toolroom Records, who invited him to join their thoroughbred
team of talent; as both a recording artist and resident DJ for their infamous
‘Toolroom Knights’ events alongside the likes of Fedde le Grand and Mark Knight.
This strong start hasn’t gone unnoticed on the dancefloor either.
24 months on from breaking through into the international spotlight Thomas has nestled
himself into the CD wallets of such luminaries as Axwell, Sebastian Ingrosso, Tiësto,
David Guetta, Chuckie, John Dahlbäck and Sander van Doorn, whilst discovering equal
support at club level by regularly chalking headlining slots at prestigious venues like Pacha,
Privilege and Ministryof Sound.

His year has continued to prevail with similar successes as recent productions
 like his smash EP ‘Work That / Kananga’ on Toolroom led the download charts
for a handful of weeks, before being followed by his collaboration with house
supremo Fatboy Slim. Titled ‘Star 69’, the track rapidly ascended the Beatport
progressive house chart to claim the #4 spot. His next release saw him teaming up
with Italy’s Alex Kenji and resulted in ‘What’s Up’, which released through the legendary
Spinnin’ records went onto pick up genre crossing support from the likes of Marco V, Bingo
Players, Riley & Durrant, Tocadisco and Robbie Rivera.

Recent months have seen Thomas leading a sleepless existence
through a busy production schedule and gruelling tour diary that so far h
as taken in Brazil, Mexico, Argentina, Japan, India, Dubai,Russia, Canada, America
and a host of destinations across Europe. This purple patch in his career has seen
some of Thomas’ biggest standout releases and projects come to the fore.
Such has been the impression of his music of late that many of his recent
productions have found themselves being snapped up by the artist labels of
Swedish House Mafia’s Steve Angello (SIZE) and Axwell (Axtone).
Australia’s leading house star Dirty South also signed Thomas’ new single ‘Areena’,
a collaboration with David Tort and David Gausa, to his Phazing Recordings imprint.
However, it is perhaps his third release on Toolroom Records that is causing the most
stir among his fans. With a familiar cymbal and snare drum combination creating
an hypnotic marching beat, ‘Marsch Marsch’ is an unusual yet arresting track that delivers
with a killer piano melody – which explains the reason it has been one of the biggest
tracks bubbling in his sets for the last few weeks.

On reflection all this recent success had to stem from somewhere and
that point of origin was when Thomas was a curious 7 years old.
Taught to play the electronic organ as a child, Thomas soon found
interest in digital synthesizers and from here his passion soared.
Aged 15 he purchased his first ever piece of studio equipment
– a Yamaha DX-11 synthesizer – and has not looked back since.
In three short years Thomas Gold has built an impressive back catalogue.
On top of a solo releases, his remix work has been so successful that today
his credits read like the who’s who of the global dance scene with names
such as David Guetta, Fergie feat. LMFAO, David Tort, Norman Doray, Erick Morillo and
Paul van Dyk to his repertoire.

Soaring high with his music has led to further more successes with Beatport;
who in 2009 nominated him in their ‘Best Progressive House artist’ category.
He eventually went on to win the coveted award for ‘Best Progressive House Track’
for his remix of Delerium ‘Silence’.

The magic you hear in his productions is just as evident in his DJ sets.
With a sound that is just at home in the big room environment of a festival
or dance arena, as it is in the more personal surroundings of club lands grittier
underground settings. It is little wonder then that Thomas’ diary is one that has
already taken in many of the world’s best venues such from Mansion and Cameo Miami
to Space and current World #1 club Sankeys in Manchester, whilst touring has seen him
circumnavigated the planet with rousing appearances throughout Asia, Australia, Europe, Middle
East and North and South America.

Thomas Gold is definitely THE name to look out for in 2011!
 
Abonne toi au Podcast de Thomas Gold

 
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